DSpace
 

Academic Knowledge Archives of Gunma Institutes >
群馬大学(Gunma University) >
20 社会情報学部 >
0001 群馬大学社会情報学部研究論集 >
第28巻(2021) >

Please use this identifier to cite or link to this item: http://hdl.handle.net/10087/13302

Title: ディジタル化とシェイクスピア上演・上演研究
Other Titles: The Impact of Digitalization on Shakespeare Performance and Performance Studies
Authors: 末松, 美知子
SUEMATSU, Michiko
Keywords: シェイクスピア上演
比較上演研究
ディジタル化
Issue Date: 1-Mar-2021
Publisher: 群馬大学社会情報学部
Citation: 群馬大学社会情報学部研究論集.28, 17-28, 2021
Abstract: As a preliminary study to assess the impact of digitalization on Shakespeare performance and performance studies in general, this paper discusses how digitalization in the past few decades transformed Shakespeare performance per se, media to watch performance, and performance studies in UK and Japan. The Royal Shakespeare Company production of The Tempest (2016-17) is chosen as one of the most successful examples of Shakespeare performance that goes digital. The cutting-edge digital technology not only has created remarkable visual representations of ‘magic’ but successfully become integrated in the play’s dramatic narrative. Digitalization has also diversified the experience of watching performances beyond theatre via broadcast at movie theaters such as RSC Live from Stratford and NT Live, and digital platforms such as Globe Player and Digital Theatre. The paper also explores how digitalization can open up a new possibility of performance studies beyond geographic and time constraints, focusing on one of the digital archives, Asian Shakespeare Intercultural Archive (A|S|I|A), a multilingual online archive of Shakespeare performances from East and Southeast Asia.
URI: http://hdl.handle.net/10087/13302
ISSN: 1346-8812
Appears in Collections:第28巻(2021)

Files in This Item:

File Description SizeFormat
28-P2-SUEMATSU.pdf1.14 MBAdobe PDFView/Open

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

 

DSpace Software Copyright © 2002-2010  Duraspace - Feedback